Download PDF Fusion of the Worlds: An Ethnography of Possession among the Songhay of Niger

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Fusion of the Worlds: An Ethnography of Possession among the Songhay of Niger

Download PDF Fusion of the Worlds: An Ethnography of Possession among the Songhay of Niger

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About the Author

Paul Stoller is a professor of anthropology at West Chester University of Pennsylvania. He is the author of many books, including ethnographies, biographies, and memoirs. In 1994 he was awarded a prestigious Guggenheim Fellowship. In 2002, the American Anthropological Association named him the recipient of the Robert B. Textor Award for Excellence in Anthropology. He lectures frequently both in the United States and Europe and has appeared on various NPR programs as well as on the National Geographic Television Network.

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Product details

Paperback: 268 pages

Publisher: University of Chicago Press; 1 edition (June 21, 1997)

Language: English

ISBN-10: 9780226775456

ISBN-13: 978-0226775456

ASIN: 0226775453

Product Dimensions:

6 x 0.7 x 9 inches

Shipping Weight: 12.6 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#266,345 in Books (See Top 100 in Books)

This is one of the most interesting ethnographic texts I've read. Stoller presents the material clearly, with intent, action, and solid, grounded explanations. He created a story explaining their culture, beliefs, customs, and stepped out as much as he could to make the focus on the experience of the Songhay, rather than on himself.

Recently, I read Paul Stoller's "Fusion of the Worlds" for my anthropology class. This book incorporates Songhay people in the Tillaberi region in Niger. From the start, Stollers offers excellent imagery while establishing weather conditions and rituals for readers to understand from the experiences of traveling and living in Niger for multiple summers. The book describes the roles played in these meetings called possession ceremonies and explains the dynamics and significance each role plays. Specifically in chapter 4, Stoller tells many stories of sorkos, descendants from Faran Maka Bote which are praise-singers, and gives insight from the role of summoning spirits to take over the bodies of mediums. He tells many stories including the origins of sorkos and myths on how they came to be. The fusion taking place from the Songhay people combine elements from the natural and supernatural world. As the book progresses, readers get a better understanding for the rituals that occur. Fortunately, the descriptions throughout the novel are very vivid as he covers different characters and their importance in the community.

The skinny: Buy if you're an ethnographer, anthropologist, or if you are visiting Niger. Otherwise, skip.This ethnography is an academic upgrade to Stoller and Olke's In Sorcery's Shadow, which was their well-received memoir of Stoller's 10-year apprenticeship to a Songhay (Niger) sorcerers. Unlike the previous work of personal experience with more solitary sorcerers, Fusion of the Worlds attempts to show one spirit possession troupe's ability to operate in many different Songhay "worlds." That is, Stoller wants to show his readers how possession troupes often facilitate a variety of practices. These include the relationship between the individual and the group, remembering the past, engaging in political dialogue, relating Songhay religious practices with Islamic ones, and even negotiating rainfall. Possession troupes, like his from Tillaberi, Niger, are much, much more than performers--they are creating, maintaining, reflecting, identifying, mocking, celebrating, critiquing, and changing the Songhay world. Stoller claims they are fusing the world of the possession troupe and its performances with the rest of Songhay life. It is a mutually beneficial relationship, one which is actively and continually constructed by the troupe and its audience.Stoller uses large sections of quotation, either from tape-recorder transcriptions or field notes, and he argues that this is really the best way to understand the Songhay. This may be true, but it makes appreciating Stoller's thesis much more difficult. The long sections of stories can be enjoyable, but it can also be laborious for those of us who many read this book without a desire to learn the intimate details of Songhay life. It delays academic discussions to privilege the many stories that help show the troupe's activities. This is fair in one sense, but it fails to provide a strong narrative thread for readers to follow. When Stoller has theoretical contributions, they are often short or delayed until the Epilogue. While some readers may be thankful for this, it was a more serious problem for me.For instance, there are many useful implications of Stoller's suggestion that Songhay possession theater is much more than the framework for theatrical presentation of cultural history. However, when he argues that we should look to the "inner space" that is cultivated by these performances, readers should instantly recognize the cultural dilemma inherent in any interpretation he offers. Even as an initiate, the troupe's performances were never directed at him, and therefore the only access to the inner life of the Songhay is through language. Stoller musk ask, and his participants must answer him. Thus, the entire work is one of translation where Stoller does his best to make sure that his translation is recognizable to BOTH the Songhay (for accuracy) and his English-reading audience (for intelligibility). When he claims that more is going on inside, we should be aware that his translation has now moved into interpretation and theorizing. This isn't a bad thing--after all it is most scholars' goal to say something meaniningful--but it may mean that the very idea that possession might act as a "microcosm of Songhay culture" is closer to what an observer (and not a participant) would say.Is this nitpicking? No. The integration of interpretation and transcriptions has been achieved with better results by others authors. If reading about poession is your thing, I encourage you to reader Stoller. However, if you want a BETTER book about possession, I encourage you to read Mama Lola instead.Mama Lola: A Vodou Priestess in Brooklyn Updated and Expanded Edition (Comparative Studies in Religion and Society)

Stoller does an excellent job explaining the various types of possesion ceremonies among the Songhay culture. It's fascinating to picture how the spirits of the outside world can enter a mediums body to basically communicate with the people of Songhay regarding good and bad things occuring within the community. These people turn to the spirit world turn recieve help with settling disputes, having a good harvest in the future, venting their hate for colonialism,etc. But, not only does Stoller do a good job of explaining these various types of spirits, but he also does a wonderful job of interpreting many fascinating ceremonies that he attended. You feel like your actually there, witnessing a spirit taking over a medium's body. I am currently a student of Stoller's, and it was our assignment to read this book. I liked it very much I am continuing my reasearch of spirit-possesion in the future to learn all I can about a subject that's so intriguing. Stoller's book is awesome!

I would just like to say that I am taking a class on Magic Religions and Witchcraft from Paul Stoller at the present time. He is very insightful when it comes to not only his teachings, but his writings as well. In the Fusion of the Worlds, there are things I have never learned about before, even being an Anthropology major. His way of describing certain aspects of spirit possession in detail as well as giving first hand experience stories give it more of a flair. If you are interested in learning something new, you should definetely open your mind to this!

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Fusion of the Worlds: An Ethnography of Possession among the Songhay of Niger PDF